What to do With a Perceived Dead-End? The Street (1992-1996) & Aesthetics of Postsocialist TV Satire
نویسندگان
چکیده
Taking as its main case study the experimental, satirical sketch show The Street / Улицата (1992-1996), this essay examines transformational moment in Bulgarian broadcast media following 1989, specifically focusing on period between 1990 and 1997, ways which socio-political transition functioned a catalyst for re-assessing aesthetics, politics, structure of television country. I focus juxtaposition radical potential problematic representations featured show, establishing connections post-1989 influx Western cultural import new form Street took upon release 1992. The paper locates regional intersections approach aesthetics evident postsocialist TV satire.
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ژورنال
عنوان ژورنال: View : Journal of European Television History and Culture
سال: 2022
ISSN: ['2213-0969']
DOI: https://doi.org/10.18146/view.286